"Medallion" is a much prettier word than "frame" - a book with the title "Frame quilts" wouldn't have the same appeal. I would buy either like a shot because I have always loved quilts with something in the middle.
However, I have decided that there are two other categories neither of which could be correctly described as Frame Quilts.
I have been searching hard on line for a nice example of a British Frame Quilt and chose this one -
I don't know much about it and I apologise to the person who took the picture because I have lost the reference. It is well organised for a British Medallion and it looks as if it might have embroidery in the middle which was quite a popular thing to do. It has some interesting touches mixing applique with simple piecing.
Some of our earliest quilts can't really be described as Frames. What would you call the three below?
None of the above images are that great and I apologise but they at least give you an idea of the layout of these 18th and early 19th century quilts with a large focus block at its centre surrounded by a field of small blocks.
These British coverlets are really sampler quilts with a "medallion" in the middle, perhaps a new category, Sampler Medallion? The Jane Pizar is certainly the best design - it works beautifully with its three borders all well thought through, no - oh well let's just finish it off quickly here - which is a great temptation after such a mammoth piecing effort. Though I adore the Sundial, I think it falls short in this respect.
Then the other category could be Mosaic Medallion such as the Elizabeth Chapman coverlet -
A great many Dutch quilt fall into this category too -
Medallions are so fascinating I think I will be returning to this subject sometime!
Sorry about my above spacing issues, I have been chopping this piece about and Blogger doesn't like that!
However, I have decided that there are two other categories neither of which could be correctly described as Frame Quilts.
I have been searching hard on line for a nice example of a British Frame Quilt and chose this one -
I don't know much about it and I apologise to the person who took the picture because I have lost the reference. It is well organised for a British Medallion and it looks as if it might have embroidery in the middle which was quite a popular thing to do. It has some interesting touches mixing applique with simple piecing.
Some of our earliest quilts can't really be described as Frames. What would you call the three below?
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| The Sundial Coverlet dated 1797 |
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| The Jane Pizar Coverlet - some confusion about this date but I think it is early 19th century |
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| The 1718 Silk Patchwork Coverlet is one of the earliest known dated patchworks, and is constructed in the mosaic patchwork tradition of piecing over papers. |
None of the above images are that great and I apologise but they at least give you an idea of the layout of these 18th and early 19th century quilts with a large focus block at its centre surrounded by a field of small blocks.
These British coverlets are really sampler quilts with a "medallion" in the middle, perhaps a new category, Sampler Medallion? The Jane Pizar is certainly the best design - it works beautifully with its three borders all well thought through, no - oh well let's just finish it off quickly here - which is a great temptation after such a mammoth piecing effort. Though I adore the Sundial, I think it falls short in this respect.
Then the other category could be Mosaic Medallion such as the Elizabeth Chapman coverlet -
| This is just a part of the Elizabeth Chapman coverlet (it's very big) in the V&A Collect dated 1829 |
A great many Dutch quilt fall into this category too -
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| A fabulous old Dutch Quilt in the International Quilt Study Centre in Nebraska. It's early - late 18th century I think? |
Medallions are so fascinating I think I will be returning to this subject sometime!
Sorry about my above spacing issues, I have been chopping this piece about and Blogger doesn't like that!


























