The Welsh Quilt that got away!

A few years ago when Clare and I were working on MAKING WELSH QUILTS I spotted a picture of an old Welsh quilt in Pepper Cory's book MASTERING QUILT MARKING (Hi Pepper - I love this book!) and I thought it would make a good project for our book (we did ask Ardis and Robert James for permission to do this).

I quickly drafted it on my favourite squared paper and Clare made it with pieces from her stash.  She then quilted it beautifully using many of the patterns on the original.  We called it Pennsylvania Echo, because it seemed like a good idea at the time and it is in the book if you want to make one.

  This is the link to the original quilt -http://www.quiltstudy.org/collections/search.html?search_type=advanced&search_action=advanced&totalresults=9&offset=0&maxresults=10&detailresult=3&sortby=PatternPrimary

It is much larger than our little quilt and of course the fabrics are very different. It couldn't be in a better place to be appreciated and cherished, but I do feel that it is a shame that it has left Wales.

I believe that it it is an important quilt for a few reasons. Firstly it is very early for this style of quilt and secondly it is actually dated 1818, which is rare.  It is made of a mixture of wool and silk and when I drew it to the attention of Dorothy Osler, she and Debbie Harries did extensive research on the fabrics and produced a research paper for Quilt Studies (published by the British Quilt Study Group).

So it is a very special quilt and in a perfect world it should be here in a Welsh museum.  But hey ho, we have so much heritage that we don't value it as much as we should.  It is safe where it is in the USA and after all it really is their heritage too!

The above link to the old quilt doesn't seem to be working consistently, if you see the wrong quilt (and it's obvious) copy and paste the web address into your browser.

Inspired by Welsh Blankets

Welsh blankets are now widely collected,  I don't own any and am reluctant to start because I have so much other stuff.  However, their colour and design content does inspire me and it all began with this simple quilt owned by Ron Simpson made with pieces of blanket -

I love its subtle colours and as I don't usually work with this colour palette, it was a challenge and I had to dig deep in my stash to find suitable fabric and use what I had creatively.  This is the result -

I used my then limited collection of shirtings and added a few fabrics that a Japanese friend had left me before returning home.  I enjoyed working with these shades so much I began to collect Japanese woven fabrics and I have used them in quite a few quilts since.  This is a better picture of the quilting -

Jugs, Mugs and Rugs

If quilts weren't my main preoccupation the title of this blog could well be the title to this post.

I have always loved jugs and have bought them for many years, yet I never consider myself a collector.  That to me means dedication of purpose - searching for them. I don't do this - I acquire them when and where I see them and I have acquired a goodly number both old and new. They are grouped around my house and I haven't counted them and I won't.  When I go on  holiday they are my chosen souvenir together with their rhyming companions, mugs and rugs - well it's a harmless enough obsession?

My mother and I have bought quite a few rugs on day trips.  On one occasion in Oxford, seeing one in the window of a shop as the bus entered the bus park and buying it as soon as we alighted!  I blame it on inheritance, my Great Grandmother's influence, but that is a story for a future post!

This is my introductory jug - you will probably be seeing more - a 19th Century Staffordshire Blue and White filled with single Lace Cap Hydrangea head.  Naturally jugs are my favoured flower containers!

The Prince of Wales, Garden Director?

This is the second post about HRH and you may be forgiven for thinking that I am a fan. This certainly hasn't always been the case but I have mellowed recently.  Maybe the fact that he likes and collects Welsh Quilts has something to do with it?   It is simply that yesterday evening there was a magical programme on BBC television.  This is a rare enough occurrence which must be celebrated, especially as one of my great interests is visiting gardens and a visit to Highgrove with the Prince and Alan Titchmarsh is too good to miss.  Like HRH, who has 12 gardeners working there, I am also a garden director because I have to keep my hands in good shape for my real work - no engrained hands for fine quilting!

What a garden Highgrove is - I had the good fortune to visit it with a group of sampler lovers a few years ago and we were bowled over by it.  My favourite garden in all the world is Sissinghurst in Kent, but Highgrove is almost its equal.

This programme can only be seen on BBC iplayer for a short while and I urge all you garden lovers out there who didn't see it to tune in.   It is available for the next 6 days - here is the link - 

ttp://www.bbc.co.uk/iplayer/episode/b00txn3c/Highgrove_Alan_Meets_Prince_Charles/

The only omission was a glimpe of the Prince's Islamic Garden, based on one of his rugs, which was entered in the Chelsea Flower Show in 2001 and afterwards recreated at Highgrove.  On television then I thought that it looked rather garish,  but it is sensational - we all loved it!  It came at the end of tour and because it was enclosed within walls there was an element of surprise, it was like opening a door and walking to into a large and wondrous jewel box!

Cow Craft!

As you might guess from the previous post, I love folk art quilts and one of the best is a wonderful Welsh cow quilt in Ron Simpson's collection.  It has been featured in many books - QUILTS OF THE BRITISH ISLES by JANET RAE being one (this can be found on Amazon and lots of other websites, the quilt is on page 117).  The quilt was made around 1900 and its main feature is its central needlepoint panel of cow which is surrounded by wool pieces outlined in what looks like herringbone stitch. The name May Bowen is embroidered on the central panel, presumably the maker?  She has quilted it in a rather strange diamond infill pattern which I haven't seen before.

A few of us had talked about doing our own version, but where to start?  What inspired me was finding the Laura Ashley tomato red trellis fabric on eBay which is close to the colour of the original.  I charted my own cow, which I based on a Staffordshire Cow Creamer, as I think this was the probable source of the pattern. To achieve the size I wanted,  I worked it on Aida with Appleton's Crewel wool as then it can be washed..

As I don't do large quilts, mine is much smaller than the original and I used a mixture of fabrics from my stash, vintage Laura Ashley, ticking, shirting (I buy men's shirts on sale and cut them up) some Oakshott plains and last but not least Japanese woven fabrics as these are made in all the sludgy and taupy colours seen in old Welsh quilts.  I did some Welsh quilting patterning all over it except for the cow panel which I outline quilted.  I embroidered my grandmother's name Mary Evans instead of the original.  This makes it more personal to me and it's not a replica but my take on an old quilt.  It was great fun to do and I used up lots of bits but not nearly enough!

If any of you would like to to try herringbone stitch, which I use a lot, I have put a link to a demo video.  It is so easy and quite quick to work once you get into the swing of it and here in GB it was a traditional way to applique, for example attaching embroidery slips and doing broiderie perse.

http://video.google.com/videoplay?docid=3055024058897232054#

Can you see Corky?

This is for all you quilters out there and their cats and there are an awful lot of you?  Well can you see Corky?

This is another exhibit now showing at the Jen Jones Welsh Quilt Centre and I am grateful to my friend Sonia Fox for taking the photograph at the Opening.

We have had fun with this quilt because some of us can't see him!  It's not always that easy if one can't stand far enough back but here it's pretty obvious?  It's certainly a fun quilt, well fun with regard to the patchwork but when you click the picture and zoom in you will be able to see seriously wonderful quilting!

You find this in so many Welsh quilts, the quilting was more skillful than the patchwork and one might be tempted to think that it was the work of two different people. Now it is Folk Art and we love it, but I wonder whether it was so admired when it was made? Perhaps it wouldn't collect a rosette now?  I love quirkiness in a quilt - don't you think perfection can be a tad boring?

What block is this?

I've just been reading Barbara Brackman's blog in which she is talking about blocks without a name.  This brought to mind this Welsh quilt with a most complicated block.  Isn't it a stunner?

Sorry that the picture isn't better,  it was taken before I had a digital camera, but I think it gives you a flavour?  I wanted to include it in MAKING WELSH QUILTS but we couldn't track it down in time for the photo shoot. It was made in Mid Wales in the Llanidoes area and was shown at an Quilt Association Summer Exhibition a few years ago.  It has stayed in my mind and I am sure you can understand why?  But what a block and all made in Welsh wool!