After saying that I didn't embrace the concept of BOMs wholeheartedly,
I was invited to share my thoughts. First of all I chickened out because it put me on the
spot! I don't want to offend anyone because I know that many of you
get enormous pleasure in participating in them, so I have tried to
analyse my thoughts.
It was probably just my prejudices showing because I can't image making one, mainly because someone else has done many of the most enjoyable bits, designing and working out the patterns. Designing gives me the greatest buzz, it is the most exciting of all the processes.
The quilts I make now may be inspired by quilts I admire but they aren't reproductions, as my design choices are based on the fabric I have. I always re-design ones based on old quilts and I always scale them down because I don't make large quilts. I don't need large quilts and they are too unwieldy to deal with and take too long to quilt.
The quilt below, which I am at present quilting, is an example of how I work. I had these off cuts of light weight curtaining in my stash for many years waiting for their moment!
I had always admired the red house quilts in "Quilt Treasurers" as they were typically English and wanted to make one, but how to present the house? Eventually the penny dropped that this fabric could be cut up redistributed and applied using herringbone stitch (embroiderie perse) which was the traditional British way to applique at one time and so this design emerged.
I buy fabric whenever I see something that I like and which I feel I may use. I never shop for fabric when I start a quilt as it is the fabric that I have that usually inspires the design. If I have germ of an idea, as with the red house, I first choose a piece of red and then have a rummage in my stash until I have a selection from which to choose, which is when I discovered that the flowery fabric above fitted. Of course this does mean a great deal of time and frustration is spent auditioning fabrics and it makes the house very untidy, but it often makes me take a risky rather than a safe choice because I don't have the safe choice there, so I have to find something else!
I love designing and drafting the patterns. It is almost the best part, but not quite, choosing and handling the fabrics is still the best bit. The cutting out and sewing is enjoyable but routine and not nearly as good as the initial buzz.
The quilting is challenging and can be quite scary which can turn into a slog but again I like to design it to be in tune with the piecing. I never use commercial patterns so every quilt I make is quilted differently.
Of course I realise that others don't feel as I do. In many years of teaching I rarely had students who drew up their own patterns, they may have got their husband to do it but they didn't do it themselves. I was sad about this because I felt that most were capable of doing it but just wouldn't and it wasn't in my brief to force them to do it.
Of course if classes in Patchwork and Quilting were more structured, and I don't mean City and Guilds or degree type courses, drafting patterns and designing quilts would be part of the curriculum, but as the majority of teaching now seems to be in quilt shops, the commercial aspect is the elephant in the room.
Quilt shops have to sell pattern books and fabrics to survive and students use more of both if they are working in that environment. BOMs are part of this world which is straying far away from the "green" aspect of the craft, which is what first attracted me and still appeals to many beginners. This makes me uncomfortable, but that's the way it is, the world of quilting is highly commercial, there is no turning back the clock!
Those of you who are making Love Entwined, I take my hat off to you as it is a very complex. Esther has been very generous working for a long time on the design and publishing as a free download within a timescale. I wish you all well and am really looking forward to seeing your wonderful quilts. I do hope that the owner of the original coverlet will eventually agree to a picture of it being released. Good luck to you all!
It was probably just my prejudices showing because I can't image making one, mainly because someone else has done many of the most enjoyable bits, designing and working out the patterns. Designing gives me the greatest buzz, it is the most exciting of all the processes.
The quilts I make now may be inspired by quilts I admire but they aren't reproductions, as my design choices are based on the fabric I have. I always re-design ones based on old quilts and I always scale them down because I don't make large quilts. I don't need large quilts and they are too unwieldy to deal with and take too long to quilt.
The quilt below, which I am at present quilting, is an example of how I work. I had these off cuts of light weight curtaining in my stash for many years waiting for their moment!
I had always admired the red house quilts in "Quilt Treasurers" as they were typically English and wanted to make one, but how to present the house? Eventually the penny dropped that this fabric could be cut up redistributed and applied using herringbone stitch (embroiderie perse) which was the traditional British way to applique at one time and so this design emerged.
I buy fabric whenever I see something that I like and which I feel I may use. I never shop for fabric when I start a quilt as it is the fabric that I have that usually inspires the design. If I have germ of an idea, as with the red house, I first choose a piece of red and then have a rummage in my stash until I have a selection from which to choose, which is when I discovered that the flowery fabric above fitted. Of course this does mean a great deal of time and frustration is spent auditioning fabrics and it makes the house very untidy, but it often makes me take a risky rather than a safe choice because I don't have the safe choice there, so I have to find something else!
I love designing and drafting the patterns. It is almost the best part, but not quite, choosing and handling the fabrics is still the best bit. The cutting out and sewing is enjoyable but routine and not nearly as good as the initial buzz.
The quilting is challenging and can be quite scary which can turn into a slog but again I like to design it to be in tune with the piecing. I never use commercial patterns so every quilt I make is quilted differently.
Of course I realise that others don't feel as I do. In many years of teaching I rarely had students who drew up their own patterns, they may have got their husband to do it but they didn't do it themselves. I was sad about this because I felt that most were capable of doing it but just wouldn't and it wasn't in my brief to force them to do it.
Of course if classes in Patchwork and Quilting were more structured, and I don't mean City and Guilds or degree type courses, drafting patterns and designing quilts would be part of the curriculum, but as the majority of teaching now seems to be in quilt shops, the commercial aspect is the elephant in the room.
Quilt shops have to sell pattern books and fabrics to survive and students use more of both if they are working in that environment. BOMs are part of this world which is straying far away from the "green" aspect of the craft, which is what first attracted me and still appeals to many beginners. This makes me uncomfortable, but that's the way it is, the world of quilting is highly commercial, there is no turning back the clock!
Those of you who are making Love Entwined, I take my hat off to you as it is a very complex. Esther has been very generous working for a long time on the design and publishing as a free download within a timescale. I wish you all well and am really looking forward to seeing your wonderful quilts. I do hope that the owner of the original coverlet will eventually agree to a picture of it being released. Good luck to you all!
